Premiera: 2017
Avtor: Dejan Srhoj v sodelovanju z
Scenarij: Slobodan Maksimović, Dejan Srhoj
Programiranje robota Naa: Vid Podpečan
Scenografija: Teo Kajzer, Sara Slivnik
Konstrukcija Naovega doma: Jaka Mihelič
Produkcija: Nomad Dance Academy Slovenija
Koprodukcija: Kino Šiška & CoFestival
Podpora: Inštitut Jožef Stefan in program Kreativna Evropa Evropske Unije/Creative Europe Programme of the EU, projekt DANCE ON, PASS ON, DREAM ON
Robot NAO je bil prvotno razvit za projekt INNODAY pri Expectrum na Švedskem.
Posebna zahvala projektni vodji Nini Božič.
Avtor robotu podeli nekakšno sodobno obliko romantične identitete ter s tem ponovi gesto, ki jo v zgodovini fantastične literature prva opravi Mary Shelley v Frankensteinu, morda le z blagim ironičnim in humornim zasukom. Srhoja zanima prav tisti hipotetični zasuk, pri katerem se tehnofobija profanira in kjer robot pridobi človeško subjektiviteto, vključno z vsemi bizarnostmi, ki so ji po navadi prisojene.
Premiere: 2017
Author: Dejan Srhoj
In collaboration with
Script: Slobodan Maksimović, Dejan Srhoj
Nao Robot Programing: Vid Podpečan
Set Design: Teo Kajzer, Sara Slivnik
Construction of Nao’s Home: Jaka Mihelič
Produced by: Nomad Dance Academy Slovenija
Co-Produced by: Kino Šiška & CoFestival
Supported by: The Jožef Stefan Institute and the Creative Europe Programme of the EU, the project DANCE ON, PASS ON, DREAM ON
“Nao, the Robot” was initially developed for the INNODAY project at Expectrum in Sweden.
Special thanks to: its project leader, Nina Božič.
The author bestows the robot with a contemporary form of a romantic identity, thus repeating the first such gesture made in the history of the fantasy literary genre by Mary Shelley with Frankenstein, though perhaps with only a slightly ironic and humorous twist this time. Srhoj is interested exactly in the hypothetical twist in which technophobia becomes profane and the robot acquires a human subjectivity, including all the bizarreness that it is usually accused of.