Premiera: 18.4.2025 - Center kulture Španski borci
Avtorici, plesalki: Tina Benko, Ema Križič
Glasbenica: Ida Hiršenfelder
Oblikovalka svetlobe in prostora: Toni Soprano
Starejša sestra: Dragana Alfirević
Kostumografinja: Dajana Ljubičić
Oblikovalec grafične podobe: Danijel Mohorič
Fotografinja: Nina Pernat
Produkcija: NDA Slovenija, Dragana Alfirević
Koprodukcija: Center plesa Maribor, Divje ptice IPG
Zahvale: DUM projektni prostor, Mestni muzej Ljubljana
Umetnice nas vkrcajo na svojo ladjo in nas popeljejo na popotovanje po krajini vidnega, slišnega in čutnega, kjer se izkušnja gledanja plesa prenese na celotno gledalčevo telo. Čas se razpre v svoji gotovosti in preko gibanja plesalk vstopamo v področje kairosa, časa, ki presega ta trenutek, ki nas povabi v prepuščanje in odpre naše notranje slike, zaznave, odnose. Predstava Tri lune gledajo v naš planet sloni na plesni praksi, ki jo Tina in Ema razvijata zadnji dve leti. Ta praksa omogoča notranjo, ad hoc dramaturgijo, ki izvira iz gibanja samega in se upira ureditvam zunanjega pogleda ter homogenizaciji pomenov. Zato je ta predstava vedno premierno izvedena.
“It is never we who affirm or deny something of a thing; it is the thing itself that affirms or denies something of itself in us,” pravi Spinoza. Vprašanja o plesu kot načinu gibanja izginejo. Nastopijo vprašanja o plesu kot načinu vedênja in zaznavanja, o načinu, kako smo v svetu. Predvsem o plesu, ki razpira tako človeške kot nečloveške ravni bivanja in jih vzporeja in nagovarja tako, da ustvarja alternativo - novo ekologijo odnosov za novo dobo.
Dragana Alfirević
Premiere: 18.4.2025 - Španski borci Cultural Center
Choreographers, dancers: Tina Benko, Ema Križič
Music: Ida Hiršenfelder
Light and set design: Toni Soprano
Older sister: Dragana Alfirević
Costume design: Dajana Ljubičić
Graphic design: Danijel Mohorič
Photographer: Nina Pernat
Production: NDA Slovenija, Dragana Alfirević
Coproduction: Center plesa Maribor, Divje ptice IPG
Thanks to DUM projektni prostor, Mestni muzej Ljubljana
The artists embark us on their vessel and take us on a journey through a landscape of the visible, the audible, and the sensory, where the experience of watching dance transfers to the viewer’s entire body. Time opens itself in its certainty, and through the dancers’ movement we enter the realm of kairos – a time that exceeds the present moment, that invites surrender and opens our inner images, perceptions, and relationships. The performance Three Moons Are Watching Our Planet is grounded in a dance practice that Tina and Ema have been developing over the past two years. This practice enables an inner, ad hoc dramaturgy that emerges from movement itself and resists the ordering of the external gaze and the homogenization of meanings. For this reason, the performance is always a premiere.
“It is never we who affirm or deny something of a thing; it is the thing itself that affirms or denies something of itself in us,” says Spinoza. Questions about dance as a mode of movement disappear. Questions arise about dance as a mode of knowing and perceiving, about how we are in the world – above all, about a dance that unfolds both human and non-human levels of existence and aligns and addresses them in such a way that it creates an alternative: a new ecology of relations for a new era.